Kenmore West High School
Kenmore West High School is committed to developing knowledgeable, principled, and compassionate young adults through academic, personal, and occupational experiences in preparation for an ever-changing global landscape.
Language
Users
- Kenmore West High School
- IB Theatre 2
- Manifesto!
- Manifesto of Rignatorius Theatre (Text)
Rigney, John
Page Navigation
- Overview
-
AP Language and Composition
- AP Language Syllabus
- AP Philosophy Assignments
-
Stuff I've Been Reading Essay
- Stuff to read links
- Ken West Staff Recommends
- Reading List Main Page
- The Pulitzer Prize
- The Man Booker Prize
- Nobel Prize Winners
- National Book Award Winners
- The Modern Library’s 100 Most Influential Novels of the 20th Century
- The Modern Library’s 100 Most Influential Non- Fiction books of the 20th Century
- Classic Non-Fiction
- Classic Fiction, Poetry & Drama
- Reading Other Stuff List
- Reading Other Stuff Notesheet
- Summer Reading Home Page
- Think
- English 12
- IB Theatre 2
- Creative Writing Workshop
- Links
- Calendar
- Cyrano Prompts
- Chivalry Journals
- Think Again Blog
-
To get you started, take a look at my manifesto in list form:
Rignatorious Theatre Manifesto
- Theatre is a site of convergence.
- The theatre encompasses everything.
- The essential elements of our poetry will be courage, audacity and revolt.
( F.T. Marinetti, “Futurist Manifesto”) - Theatre practitioners take everything seriously.
- The Theatre is a den of thieves.
- I adopt as my musical collaborators Giuseppe Verdi, Leonard Cohen and Ane Brun.
- I adopt as my visual collaborators Malevich, Botticelli and Hiroshige.
- The text need be neither the starting point nor the goal of a production. There may be no text at all. (Richard Schechner, “Six Axioms of Environmental Theatre.”)
- Theatre’s true subject is Blake’s man with the ladder, struggling to reach the goal of his desire, which is always beyond his limits. (William Blake, “I Want, I Want”, 1793. Referenced in //www.telegraph.co.uk/culture/art/3653480/ViewfinderI-want-I-want-1793-by-William-Blake.html)
- Theatre is the engine of ethics.
- The idiom of theatre is reality.
- Some say that theatre should strip us of our prejudices; if we are stripped, without our protective ideological “clothes,” the theatre must become the place where we make our new clothes—otherwise we will put our old prejudices back on with the overcoats we left on the back of our seats when we came in.
- “A theatre which makes no contact with the public is a nonsense.” (Brecht, Bertolt. Brecht on Theater. New York: Hill and Wang, 1964.)
- Theatre is the only art that requires collaboration.
- The act of theatre can be seen.
- The act of theatre can be heard.
- No matter what, the theatre cannot disguise its nature as craft.
- The tools of the theatre artist are all things that are available.
- The inspiration of the theatre is necessity.
- The theatre respects the authority of the task.
- All aspects of the physical event of the theatre are its setting.
- The true artist of the theatre is the imaginative spectator.
- The theatre is the Cathedral, Mosque and Temple of the human experience.
- The theatre is the visible manifestation of the human spirit.
- Theatre is the central point of enlightened divergence.
- The site of the theatre is the self.
- This document is unfinished.
- Theatre is a site of convergence.
Last Modified on September 23, 2015